The event running sheet lists the songs we need to take for the singer’s weekend. I remove the songs we are not singing. Removing the unlisted songs does not much much of a difference in weight but  it all makes a difference. The guest conductor is going to teach some surprise songs. It will be good to learn a song from the beginning again.
I have been told all pencil markings have to be removed from Tobias and the Peeooping Birds(Tobias and the Angel) by the end of the performance. (I must remember to take an eraser). My pencil has kindly recorded all the advice provided by the conductor on my long journey with Tobias. It is very cautious and is always warning me what to do well ahead of time. Things to remember – spit consonants out, whisper with purpose and menace, sing ‘chooce’ not ‘jews’ and lots and lots of Singlish.
I am definitely watching out for tram tracks in my music. These tram tracks (look like this –  || ) are musical Stop Signs which warn me of the moments not to sing. If I sing here I am in no man’s land with no safe way of returning. I will be singing solo if I venture further so I always have my eyes ready for these tram tracks.
My friend with the pencil markings all over it will be with me for the show. My conductor is fun. He has a wicked sense of humour and a ready smile. Always patient, always kind. He brightens up the day every time he teaches.
Now I have my instructions in my music I am ready to sing in a show.  My annotations are the foundation of my song and supports me just like my breath supports my voice. All too soon the song is going to be sung and then I will have to say goodbye to Tobias and the Peeooping Birds.
This story is unknown and strange. I grew up in a religious family and have never heard of the book of Tobit. I have learnt more than singing in a menacing whisper.

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